“Granuloadipose” – the name itself is a deliberate paradox, an attempt to capture the unsettling duality inherent in the subject matter. It’s rooted in the observation of textures: the granular, almost abrasive surfaces found in discarded materials, juxtaposed with the soft, enveloping qualities of digital data and the feeling of information "loading" into consciousness. The core concept explores the relationship between physical decay, digital accumulation, and the subjective experience of memory. It's about the residue – not just material, but also conceptual – that clings to our perception.
Consider the sheer volume of information we generate daily—emails, social media posts, search queries. This data accumulates not as physical objects but as a persistent weight on our cognitive landscape. It's like granules of light, constantly shifting and reshaping our understanding.
The process mirrors decomposition and reconstruction. Old photographs degrade, losing detail, yet the *idea* of them persists. Similarly, outdated software or forgotten passwords can be resurrected through digital archeology – a process of painstaking reconstruction from fragments.
Algorithms aren’t neutral; they are built on biases, patterns, and historical data. They generate "echoes" – reinforcing existing beliefs and creating feedback loops that can distort our perception of reality. The granular nature of these algorithms reflects a fractured understanding.
The project manifests across multiple mediums, blurring the lines between physical and digital. We utilize found objects – discarded circuit boards, corroded metal fragments, faded textiles – alongside digital processes like generative art and data visualization. The goal is to translate abstract concepts into tangible experiences.
A series of sculptures constructed from salvaged circuit boards, meticulously arranged to resemble geological formations—suggesting the slow process of erosion and transformation. The dark patina created by oxidation adds a layer of visual complexity.
Generative art pieces that visualize complex datasets related to information flow, network topology, and user behavior. These visualizations are constantly evolving, mirroring the dynamic nature of digital systems.
Digital portraits created through algorithmic manipulation of photographs—breaking them down into fragments and reassembling them in unexpected ways. This process represents the fragmented nature of memory and identity in the age of information overload.
“Granuloadipose” invites viewers to consider questions about: the nature of authenticity in a digital world; the ethics of data collection and algorithmic bias; the psychological impact of constant connectivity; and the fundamental relationship between perception and reality. It's an exploration of how we process information, and how that processing shapes our experience.