The term “rhapsode” (Ancient Greek: ραψωδός) describes a professional singer or poet who would recite epic poems, often dithyrambs, in honor of gods. Historically, they were closely associated with Dionysian cults – religious celebrations dedicated to the god Dionysus, the deity of wine, fertility, and theatre. However, the role evolved over time, encompassing much more than simply reciting poetry. It represented a profound connection between the individual, the divine, and the audience; a conduit for ecstatic experience.
“To be a rhapsode is to be possessed.” - Plato
Initially, rhapsodes were integral to religious festivals and military processions. Their performances were believed to invoke divine favor and ensure victory. They often employed rhythmic gestures – *kemos* – to emphasize the poetry’s impact.
The practice spread throughout the Roman Empire, becoming a spectacle in its own right. Rhapsodes were frequently employed by emperors and wealthy patrons to demonstrate their piety and cultural sophistication.
With the rise of Christianity, the rhapsodes’ role diminished. Their association with pagan rituals and ecstatic performances was viewed with suspicion.
- Seneca