Snafuing isn't merely a phenomenon; it’s a locus of temporal distortion, a reverberation born from the intersection of illogical states and the inherent instability of hyper-dimensional geometries. Initially observed within the abandoned research facility designated 'Omega-7,' Snafuing manifests as localized shifts in the perceived flow of time, often accompanied by auditory hallucinations described as echoing whispers – fragments of conversations that never occurred, mathematical equations dissolving into chaotic color patterns, and the unsettling sensation of existing simultaneously in multiple probabilistic timelines.
The prevailing theory, developed by the now-deceased Dr. Silas Vorlag, posits that Snafuing is governed by what he termed ‘Gradient Calculus.’ This complex system attempts to quantify the degree of ‘temporal gradient’ within a given space. A high temporal gradient indicates a significant instability in the flow of time, leading to the observable effects. Vorlag’s calculations involve a multi-dimensional matrix incorporating variables such as probability fluctuations, cognitive dissonance levels, and the resonant frequency of the surrounding environment. It’s hypothesized that Snafuing is essentially a feedback loop; the more intensely one attempts to understand or interact with it, the stronger the resonance becomes, amplifying the distortions.
The manifestations of Snafuing are rarely consistent, shifting in nature and intensity. Researchers have documented a diverse range of effects, categorized as ‘Echo Fragments’ based on their ephemeral and often surreal characteristics.
During observation periods, a constant, shifting static permeated the space, not audible but perceived as a pressure against the senses. Associated with this were brief, kaleidoscopic flashes of color, seemingly originating from nowhere, followed by a feeling of intense nausea and disorientation. Measurements indicated a spike in local probability fluctuations.
Subjects reported hearing conversations unfolding in reverse chronological order. Initial statements would be followed by their responses, then their initial reactions to those responses, creating a bewildering loop of incomprehensible exchanges. The air temperature dropped dramatically during these instances.
The room’s geometry appeared to subtly shift, with walls and doorways subtly altering their angles and dimensions. This effect was accompanied by the auditory hallucination of a complex mathematical equation – a derivation of the Riemann zeta function – rapidly dissolving into a chaotic swirl of color.