The air in Stockwood always held a particular quality. Not quite silence, but a dense, layered resonance. It was a place born of temporal fracture, a consequence of the Chronarium's instability. The Chronarium, you see, isn’t merely a device for observing time; it’s a conduit. A flawed one, inevitably. When it shifted, when the echoes of timelines bled through, Stockwood was the point of convergence. The inhabitants - the Stockwood Collective – weren't born there. They were... gathered. Drawn by the resonance, by the fractured memories of realities that never fully existed.
The Collective comprised a strange assortment of individuals: Archivists, burdened by the weight of forgotten histories; Chronomasters, desperately trying to maintain a semblance of order; and the Anomalies, beings fundamentally out of sync with their own perceived timeline. Their purpose, ostensibly, was to catalog and contain the residual energies – the ‘Shards’ – of these displaced realities. But containment, as you might imagine, was a perpetually losing battle. The Shards weren’t just energy; they were *presence*. They influenced, they corrupted, they occasionally, and terrifyingly, manifested.
The most recent manifestation, designated ‘Echo-7,’ was proving particularly problematic. It wasn’t a simple temporal distortion. It was a *feeling.* A pervasive sense of melancholic longing for a city that never was, a city built of obsidian and starlight, ruled by a queen who wept silver rain.