A Chronicle of Echoes and Dust
Wagontown isn't a place marked on any modern map. It exists in the spaces between recollections, a phantom settlement clinging to the foothills of the Black Ridge Mountains. Founded not by settlers seeking fortune, but by those fleeing something—a broken promise, a shattered faith, or simply the relentless pull of regret—it’s a town built upon absence and whispered stories.
The initial impetus for Wagontown's creation was the discovery of a vein of unusually pure silver near what locals now call 'Silverscale Creek'. Prospectors, drawn by the glint of potential wealth, arrived in a trickle, quickly swelling into a ragtag collection of individuals. There was Silas Blackwood, a former clockmaker haunted by a lost love; Martha Finch, a travelling herbalist seeking solace for her troubled past; and Caleb Stone, a grizzled veteran wrestling with demons both seen and unseen. They built their lives around the creek, establishing rudimentary buildings - mostly weathered wood and salvaged metal – and slowly, almost unconsciously, a community began to take shape.
Life in Wagontown is defined by its slow pace. The days bleed into one another, marked only by the rising and setting of the sun and the cyclical routines of the townsfolk. There’s no grand market, no bustling trade route – just a quiet exchange of goods and services within the confines of their small community.
Wagontown is steeped in legend, fueled by isolation and a tendency toward embellishment. The locals speak of strange occurrences – unexplained lights in the mountains, unsettling noises emanating from the creek bed, and figures glimpsed in the shadows.
Many dismiss these stories as mere folklore, but there’s a palpable sense that something ancient and unsettling resides within the mountains surrounding Wagontown – something that watches, waits, and occasionally… remembers.
The population of Wagontown has steadily declined over the years. Young people leave in search of opportunities elsewhere, drawn by the promise of a life beyond the creek and the endless cycle of dust. Silas Blackwood passed away last spring, his workshop now silent. Martha Finch is growing frail, her movements slow and deliberate. Caleb Stone spends most of his days staring at the mountains, lost in contemplation.
There are whispers that Wagontown is destined to disappear completely – a forgotten ghost town swallowed by the relentless advance of time. Some believe it’s a natural process, a gentle fading away. Others fear it's a consequence of disturbing something best left undisturbed.